George Meredithジョージ・メレディス / 1828-1909

イングランドの詩人、小説家。ポーツマス (Portsmouth) に生まれる。代表作は Modern Love, and Poems of the English Roadside (1862)。1849年、メレディスは小説家・詩人 Thomas Love Peacock (1785-1866) の娘 Mary Ellen Nicholls と最初の結婚をするが、妻の駆け落ちによりまもなく破綻。Modern Love はこの経験が大いに反映された作品である。ちなみに妻の駆け落ち相手は、メレディス自身がモデルをつとめ、当時大絶賛をうけた絵画『チャタトンの死』(1856) を描いたラファエロ前派の画家 Henry Wallis (1830-1916) であった。

 

メレディスのバラッド詩について批評家 Renate Muendel は次のように指摘する。’The ballads . . . deal with the force of jealousy, pride, suspicion, revenge, and the conflict between uxoriousness and loyalty to one’s followers. Dramatizing brief, suggestive incidents, they capture the tragic essence of human relationship gone awry and, sometimes, the rottenness of an entire culture. In addition, they point to the precariousness of human communication and to the unreliability of appearances — topics Meredith explores at greater length and with more complexity in “Modern Love” and in his novels.’ [Renate Muendel, George Meredith (Boston, 1986) 23]

 

抒情詩では激しい感情を抑制しえない。赤裸々で醜悪な人間悲喜劇をうたいえるのは、憎しみや悲しみや喜びを三人称で物語り、長い人間の歴史を昇華してきたバラッドであったのだろう。 (M. M.)

English poet and novelist, born in Portsmouth, England. Meredith is famous for his collection of poems titled Modern Love, and Poems of the English Roadside (1862). In 1849 he married Mary Ellen Nicholls, the daughter of T. L. Peacock (1785-1866), but eight years later she left him for Henry Wallis, the painter of The Death of Chatterton (1856), for which Meredith himself sat as the model. Readers can easily find his personal experience and feeling in Modern Love.

 

As to his ballads, however, Renate Muendel points out that ‘[t]he ballads . . . deal with the force of jealousy, pride, suspicion, revenge, and the conflict between uxoriousness and loyalty to one’s followers. Dramatizing brief, suggestive incidents, they capture the tragic essence of human relationship gone awry and, sometimes, the rottenness of an entire culture. In addition, they point to the precariousness of human communication and to the unreliability of appearances — topics Meredith explores at greater length and with more complexity in “Modern Love” and in his novels’ [Renate Muendel, George Meredith (Boston, 1986) 23]. Meredith could express his most intense feelings of human beings such as hatred, sorrow and pleasure, not in lyric poems but in ballads, which have delved even into ugly realities throughout human existence.    (M. M.)

原詩(PDF)

  • 1. Archduchess Anne
  • 2. A Ballad of Past Meridian
  • 3. Beauty Rohtraut
  • 4. Margaret’s Bridal Eve
  • 5. The Three Maidens
  • 6. The Young Princess: a Ballad of Old Laws of Love

訳詩(PDF)

  • 1. 女大公アン

原詩出典

* The Poetical Works of George Meredith. With Some Notes by G. M. Trevelyan. New York: Charles Scribner’s Sons, 1912.